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December
29th 2009

There can be few experiences less
memorable than a parade of photographs from someone else. "This is
me on a beach in Corfu." "This is me enjoying a sandwich by
the 'Elephants Have Right Of way' sign." "This is me beside
the Great Pyramid at Giza." "This is me riding a camel at
Hawksbay."
"Where is Hawksbay?" you ask in that polite way. "A little
west of Karachi," I reply, and on I'll go until eyes glaze and
yawning is un-drowned. So perhaps wrong to become preoccupied
with the morning habits of a young Barred Owl. Wrong to
reiterate his presence with constant and blurred images of him flying to or
sitting in the Summer Tanager's dying Sycamore tree.
And serenade to death is hardly a joyous preoccupation for the temporal
being I believe I am. Nor can my own obscure interpretation of death's
consequences upon the social, inspire much more than an "uh!"
But I persist. I see the Barred owl's head as something I would like
to pat. I imagine it would be soft. I see him
responding with a sort of purr. And sometimes I contemplate
death as Foucault may have done in his search for insight into why we
are.
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No accident that Summer Tanager's
are post-structural in their conversation. No accident to watch Crows
chase our young Barred Owl from the Summer Tanager's tree. No
accident to pattern thoughts amongst these events, then give these thoughts
a quality of monotone that falls so far short of entertainment for others.
Then when I ask why, the answer is only
sometimes obscured by the objects that lie beyond 'creative is'.
Which absolutely gives me a title to those adjectives that resonant amongst
glazed eyes and un-drowned yawns. Yet how truly dull we would
become in a world without others. How dreadful a place it would be.
So best for me to be polite. Try
hard to understand the quality of - "This is me throwing stones at an
adulterer." "This is me in my suicide vest." "This is me
piloting Enola Gay." "This is me at Pirbright Barracks before I
lost my legs."

tim
candler
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